‘women : iskwewak’, drawing on these themes. – the Native Villages of Afognak and Port Lions – Lukin Linklaterĭraws on interactions with her extended family, Indigenous knowledgeĪnd Alutiiq and Cree experiences on the land to inform her work.ĭevised for this exhibition, Lukin Linklater will debut a new work,
Originatingįrom two communities in the Kodiak archipelago of southwestern Alaska Installations to call attention to Indigenous histories. Tanya Lukin Linklater uses performance, poetry and Okpokwasili for a procession in the Turbine Hall. On the final day of theĮxhibition, Sunday 29 March, members of the public are invited to join Improvisational public song and dance within an architectural Gallery visitors to observe and voluntarily participate in an Okpokwasili’s un-ticketed work ‘Sitting on a Man’s Head’ which invites Throughout the exhibition, visitors will also be able to take part in Inter-generational relationships between black women. ‘Poor People’s TV Room Solo’ (26 – 28 March) which examines the Visible the experiences of women of colour, sometimes drawing from herĭuring this exhibition Okpokwasili will stage three performances of Brought up in theīronx, New York, Okpokwasili’s intensely physical performances make Installations designed by her partner Peter Born. Okwui Okpokwasili explores the collision of memoryĪnd the present in her durational performances, activating
Un-ticketed sound and film installations of Linyekula’s work as wellĪs intermittent performance in the gallery. Throughout the exhibition visitors will also be able to see free, Les traces de Dinozord’ 2006, ‘Statue of Loss’ 2014, ‘Batanaba’ 2017 Performance combining carefully selected segments of his works ‘Sur ‘My Body, My Archive’ (20 – 22 March), an intimate autobiographical Traumatic legacies of colonialism and the upheaval of the DRC’sįor this exhibition Linyekula will present ticketed performances of Works with a circle of collaborators to physically express the The artists, who draw on their individual cultural heritages,Įach use the body in different ways to explore history, inheritanceįaustin Linyekula blends theatre, dance and music toĪrticulate his experiences of social-political tensions in theĭemocratic Republic of Congo. Site-specific installations for Tate Modern’s atmospheric underground Will come together to create ten days of live performances and This year’s programme featuresįaustin Linyekula, Okwui Okpokwasili and Tanya Lukin Linklater, who Realised through the long-term partnership between Tate Modern andīMW, goes into its fourth edition. From March 20 to 29, the annual BMW Tate Live Exhibition,
0 kommentar(er)
